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After a two year hiatus I’ve decided to bring back the end of year blog posts. As you will have noticed this blog isn’t updated that much aside from event notifications, and as I’m not on Facebook any more it can be a bit difficult to follow what I’m up to (psst look at…
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The video of my presentation, No Copyright Infringement Intended, from CopyCamp has now been uploaded. The presentation is largely about the No Copyright Infringement Intended exhibition along with some thoughts about how we can help artists better understand the complex area of copyright. It of course featured sharks 😉 I posted a more detailed…
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The video from the Copyright as Frame and Prison panel discussion is now online. Many thanks to Michael Clifford for filming it. It was a very lively discussion, touching on many of the issues from the previous talk in Leicester but also had more viewpoints from within the creative industries. Many thanks to Lisa…
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After a total of 68 days across two venues No Copyright Infringement Intended ended on 23rd September. It’s been quite a learning experience and I’ve enjoyed pretty much every step of it! It’s been my biggest exhibition to date and I think it was a great success. I’m having a bit of a rest…
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No Copyright Infringement Intended at Vivid Projects opened its doors to the public on 1st September and it went rather well! Having the pieces arranged differently in a bigger space definitely changes how they’re viewed. Each piece certainly has more space for itself, but in general it’s been a great learning experience having to…
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On 5th May Blood Sport released their latest LP, Live at Cafe Oto which, as the name suggests, is a live recording of a 40 minute set they did as part of their residency at Cafe Oto. To coincide with its release Blood Sport asked me to create a one-take video. The video below…
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CREATe have put the video from the Copyright as Frame and Prison panel discussion online. Using the works within the exhibition as a starting point, a panel featuring artists and copyright experts will discuss how emerging technologies are shaping creative processes, how (perceptions of) copyright enable and inhibit those technologically-enabled processes and the appropriateness…
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Issue 30 of Elephant Magazine was released in early March and, in a similar vein to issue 27, focuses on copyright: The first copyright law, made in the eighteenth century, granted artists the exclusive right to control the copying of their original creations for 14 years. Too brief a period? Perhaps, but by the…
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April 7th saw No Copyright Infringement Intended open its doors to the public. The exhibition, taking place from 7th April to 21st May, features work by 10 national and international artists, each exploring the relationship between copyright and culture in the digital age, investigating how the concept of ownership and authorship is evolving and…
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Short Circuit opened to the public on September 2nd at Stryx and featured a Sonification Studies performance by me 🙂 Below are some photos from that night There’s already been a couple of associated events surrounding the project, so do keep watch of the website for more information.