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The latest issue of Elephant Magazine is out and is focused on brands and copyright: I’m With The Brand Are brands out to get us? Could our food, sartorial, satirical and political choices now all be considered as brand alliances? Most importantly, do we secretly really love the idea of being defined in this…
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On 14th February Studio International published a feature written by Nicola Homer about the soon-to-end Common Property exhibition at Jerwood Space: Common Property is the 22nd in a series of Jerwood Encounters exhibitions. Since 2008, the majority of the programme’s shows have been curated by artists, who have contributed insights into areas in which…
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Elephant Magazine published a a review of the Common Property exhibition by Robert Shore on their blog on 10th February. Roberts mentions the ‘Amen Break’, a six-second drum loop taken from a 1960s recording by the funk and soul group The Winstons which, according to whosampled.com, has been sampled 1,862 times since—without a single…
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Following the opening of the Common Property exhibition at Jerwood Visual Arts I was interviewed by Filippo Lorenzin about the exhibition and my views on copyright in general. On 8th February this interview was published on the Furtherfield website. I think Copyright as a whole is in a terrible state. As Cory Doctorow suggests…
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On 21st January I went to London Art Fair to take part in a discussion about Copyright and Intellectual Property and the Common Property exhibition at Jerwood Space. If you weren’t there, or you were and wanted to refresh your memory, the audio is now online. The discussion featured myself, Hannah Pierce, Curator of…
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On 20th January a-n published an article/interview/writeup with myself, Hannah Pierce and Owne G Parry. The article focuses on the Common Property exibition and more broadly asks for our thoughts on the state of Copyright. One excerpts from Hannah Pierce discussing the motivation behind the exhibition: “I remember going through art school and never…
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Early in 2015, off the back of my appearance at the Loud Tate: Code event, Rosemary Kirton interviewed me for an online magazine. Sadly that magazine is no longer online and the interview was never published. With her permission I’m posting it below. Some of what is said is now irrelevant or old, but…
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I recently did an interview with Neon Vice about my work and motivations behind some of my recent pieces. Have a read ’cause, y’know, it’s interesting… or read it below. How do you explain what you do to people who are unfamiliar with glitch art and how would you define it on a personal…
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Back in December 2013 I did an interview with Emily Pickthall from Tribe Magazine. Sometime around May in 2014 it was finally published in issue 28 of the online magazine. Below is the full interview. Enjoy! (images and links added by me) Antonio Roberts first spliced a name for himself at the international GLI.TC/H…
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Here’s one that I nearly forgot to share. Back in June I was part of the Glitch Moment/ums exhibition at Furtherfield. I was there to perform at the opening, where they also shot a lil’ video that includes me waving my arms around franticly talking about some glitch stuff: You can read some of…