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Conversation started Tuesday 17/09/2013 22:52 Erik H Rzepka hey antonio! was at _ģ̶Ł̶1̶ɫ̶C̶ʮ̶_Δ┌┼- this weekend, was interested in ur video piece – how did you start as an artist and then get into making pieces like that one? what can you tell me about it thematically and how it relates to ur practice in…
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Whilst out in Arles for Databit.me I did a short interview with David LePôle about my time at Databit.me, glitch art, my inspirations, and contemporary art. You can also see a bit of me delivering a Pure Data workshop. Thanks to Belka for filming it!
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I was recently interviewed by Jamie Boulton for his final-year dissertation. He is currently studying Visual Communication at Birmingham City University, where he’s recently become very interested in glitch art. Below is the whole interview, with links and pictures added by me. First of all, what is your definition of a glitch? A glitch…
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An interview with me on Pioneer Toolkit has appeared online. In it I talk about open source software, glitch art and a bit about organising events. The full interview is available on the website. The website has since been taken down, so the full interview is below: In this, the first interview for the…
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Shortly after GLI.TC/H hit Birmingham I did a short interview with Jonathan Melhuish for the Redbrick, Birmingham University’s newspaper. Jonathan Melhuish: So, what is “glitch art”? Antonio: Glitch art is making art out of analogue or digital errors. It can bemade using computers using techniques like attempting to open animage in a text editor…
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I was interviewed by Imperica recently about GLI.TC/H coming to Birmingham. For the viewer, appreciating Glitch art inevitably depends on the form that the work takes, and an understanding of the work not being “broken” but a new construction in itself. Glitched artwork “… can be beautiful, but it can also be chaotically noisy.…