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Exactly 10 years ago the first GLI.TC/H was starting in Chicago, IL. Attending that festival was turning point in my practice and, the more a reflect on it, an important part of my personal life. Here I want to reflect on that a bit. GLI.TC/H is an international gathering of noise & new media…
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I’ll be taking part in the DNMw3rkstati0n:: as part of GLI.TC/H on Saturday 8th December from 10-12pm at High Concept Labs GET: dowwwn && durty IRL && online wit teh DNMw3rkstati0n:: crewww @ GLI.TC/H 2112 in Chicago! The DNMw3rkstati0n:: is an open safe space/place/work{station|shop} set aside @ GLI.TC/H for enagaging eXXXperimentz in the arts…
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On Friday 7th December between 9-10pm at High Concept Labs I’ll be at GLI.TC/H in Chicago to give a short lecture on my explorations with glitch and language: Antonio Roberts’ journey into glitches and their relationship to language started with the Dataface font-hacking project in 2010, the result of which is downloadable as a…
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GLI.TC/H is back for 2112 in Chicago and needs your halp! Spendy spendy spendy! I’m not personally involved in the organisation of the festival this year, but I’ll be physically present in Chicago for the duration of the festival! More on that later ▀─█┐GLI.TC/H 2112; a new kind of monster Education has always played…
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as part of the Kickstarter we launched last year for GLI.TC/H 20111 we offered various physical media from different artists as incentives, these ranged from DVDs to VHS tapes to NES cartridges. One such incentive was conceived by Morgan Higby-Flowers and Jeff Donaldson (aka noteNdo) and curated/produced by Jeff Donaldson and myself (Nick Briz).…
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GLI.TC/H happened in Chicago, Amsterdam and Birmingham last year but I’ve only just gotten around to making this short video of the event in Birmignham, using footage captured by Pete Ashton Enjoy! (I had previously made an overview video for GLI.TC/H 2010)
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Part of Birmingham City University‘s involvement in GLI.TC/H 2011 involved me teaching Kate Pushkin, a student on the MA Digital Arts in Performance course, how to “do” glitch art, with the aim of devising a ~15 minute piece to be performed at GLI.TC/H. Given the number of tutorials and tools that are available online…
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Shortly after GLI.TC/H hit Birmingham I did a short interview with Jonathan Melhuish for the Redbrick, Birmingham University’s newspaper. Jonathan Melhuish: So, what is “glitch art”? Antonio: Glitch art is making art out of analogue or digital errors. It can bemade using computers using techniques like attempting to open animage in a text editor…
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GLI.TC/H Birmingham happened on 19th November at VIVID and I’ve only just had time to recover from it. As the curator of GLI.TC/H Birmingham I’d like to give my own set of thanks: Arts Council England for supporting GLI.TC/H Birmingham. Birmingham City University, in particular two staff members: Gregory Sporton, for supporting the event,…