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FRAME_birmingham, the three-month long exhibition of artwork by national and international artists at venues across Birmingham, is now in its second month. Fade to Daft has been taken down from the Penfold Grange Suite of Hotel du Vin, but it can still be purchased online for £180. The next piece in that series, Plenty,…
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Love it or hate it, Comic Sans is one of the most popular fonts in the world. Vincent Connare designed the font for Microsoft in 1995. He described it is best being used for “new computer users and families with children”. Despite this it has constantly been misused and can be seen everywhere from…
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For Some of My Favourite Songs I utilised Pure Data Extended (I’m using a beta version) to read the audio files and then save them as images. Pure Data is usually used for the production of music and/or generative live visuals, so to using it to produce jpg images from almost nothing, or random…
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I was recently interviewed by Jamie Boulton for his final-year dissertation. He is currently studying Visual Communication at Birmingham City University, where he’s recently become very interested in glitch art. Below is the whole interview, with links and pictures added by me. First of all, what is your definition of a glitch? A glitch…
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A series of self-portraits. The title comes from a random string that was found in one of the images More here
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I recently got a very nice package in the post all the way from Australia! Drew Taylor (aka bowsneak) sent me a package of art and zines, one of which was GLITCH COP!3R [GLITCH COP!3R] was created as part of Sticky Institutes Target 168 2012 zinemaking challenge, in which a zine had to be…
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Recently I’ve been making a few video loops for Dreambait Recordings to use in their shows. The videos, made using video samples and Pure Data, focus on feedback loops. For BYOB Birmingham on Friday 16th March I decided to showcase these video feedbcak creations. Some photos of it in action: The Pure Data patch…
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If you weren’t able to make it out to the streets of London in February to catch the
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For my performance with Freecode as part of Network Music Festival I wanted to move away from producing visuals that consisted mostly of video playback and move towards generative art. Demos of this were posted on my Flickr site, and the first performance that utilised this new approach happened on 26th January The feedback…
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A few weeks ago I put forward a proposal for a public art project that focuesd on augmented reality. There could be some confusion over what is meant by public art (if a gallery/event is free to enter isn’t it public?) so I’ll borrow the definition from Wikipedia, which, for all its faults provides…