CREATe have put the video from the Copyright as Frame and Prison panel discussion online.
Using the works within the exhibition as a starting point, a panel featuring artists and copyright experts will discuss how emerging technologies are shaping creative processes, how (perceptions of) copyright enable and inhibit those technologically-enabled processes and the appropriateness of appropriation.
On 28th April from 18:30 to 20:30 there will be panel discussion, Copyright as Frame and Prison, to coincide with the No Copyright Infringement Intended exhibition currently on at Phoenix in Leicester.
Alongside our exhibition No Copyright Infringement Intended, this discussion will highlight the disruptive power of technological innovation on culture and copyright.
Using the works within the exhibition as a starting point, a panel featuring artists and copyright experts will discuss how emerging technologies are shaping creative processes, how (perceptions of) copyright enable and inhibit those technologically-enabled processes and the appropriateness of appropriation.
On 3rd November I’ll be leading the discussion at Coffee Cake Debate: Rags to Glitches from Home for Waifs and Strays.
Glitch art is enshrined within digital, internet and popular culture, with its distorted and colourful aesthetics being regularly featured in blogs, festivals, music videos, exhibitions and games.
With it now being more commonplace, what can be done to develop it as a concept and aesthetic, and take it past being merely an image of a broken JPG or compression artifacts/datamoshing? Can it jump off the screen into other art forms? How can one glitch their own practice?
Two Antonio’s in one room. Never had this before. The other is Antonio Gould.