tag: Online

In the selection process for Patterns and Process I wanted to take broad look at algorithmic art. We typically associate the term algorithm with digital art, and perhaps more recently with artificial intelligence, but at its most basic interpretation an algorithm can be a simple set of rules or instructions for a machine or human to execute.

In Patterns and Process I have selected works which show different interpretations of algorithms and how they are implemented across practices including digital art, print, textiles, and graphic design.

If you are an artist, then you have no doubt copied the work of others. This copying can range from using pages from a magazine in collage, adopting the style of an artist, or simply being inspired by the work of an artist. This natural process of copying, taught to us at every stage of our artistic development, is burdened by a very complex and messy set of laws and social conventions which define and limit how we can use copying within our practices. These don’t take into account exceptions or nuances, and come from a historical world where artworks were scarce physical objects, and don’t translate well into a world where culture is abundant and can be accessed and copied at will.

Rules of Engagement presents the work of three artists whose collective works make a case for ethical practices when working with data.

Following numerous scandals involving data towards the end of the 2010s the industry is now being forced to ask critical questions about its data collection and handling practices, and to consider embedding ethical practices at all stages. The old model of ‘move fast and break things’ has brought with it accelerated innovation but also an increased risk of data mishandling and misuse, leading to real-world implications for often already marginalised groups of people.