Let’s Never Meet explores how the internet and technology enable us to form deep emotional and intellectual connections with people we may never physically meet. Our naivety and innocence allows us to create a romantic ideal of a person that may never be realised.
A few weeks ago I put forward a proposal for a public art project that focuesd on augmented reality. There could be some confusion over what is meant by public art (if a gallery/event is free to enter isn’t it public?) so I’ll borrow the definition from Wikipedia, which, for all its faults provides a darn good definition:
The term public art properly refers to works of art in any media that have been planned and executed with the specific intention of being sited or staged in the physical public domain, usually outside and accessible to all. The term is especially significant within the art world, amongst curators, commissioning bodies and practitioners of public art, to whom it signifies a particular working practice, often with implications of site specificity, community involvement and collaboration. The term is sometimes also applied to include any art which is exhibited in a public space including publicly accessible buildings.