tag: Uob

Permission Taken, which exhibited at Birmingham Open Media and University of Birmingham between October 2015 - May 2016, focused on copyright, remix culture and ideas around sharing, originality and ownership. In planning the exhibition I was fully aware that these concepts can be quite complex to comprehend and, worse still, incredibly boring, so I devised various ways communicate these ideas . I did so not in order to dumb it down but to give audiences as many entry points as possible. The exhibition featured images, texts, videos, sculptures, documentation of research and workshops. One such workshop was the Exquisite Corpse workshops.

It’s been open since 2nd March and now the second part of Permission Taken, taking place at the Bramall Music Building at University of Birmingham, had its launch event on 7th April from 17:30 – 19:30.

Many thanks to everyone that turned up and heard my short speech and drank all the wine. The exhibition continues at the Bramall Music Building until 30th May.

It’s been open since 2nd March and now the second part of Permission Taken, taking place at the Bramall Music Building at University of Birmingham, will be having its launch event on 7th April from 17:30 - 19:30.

Join us this Thursday 7 April in the Bramall Music Building from 17.30 for the launch of Permission Taken! This exhibition displays work by Antonio Roberts created during his 2014/15 artist-residency at the University of Birmingham. Roberts focused on issues surrounding copyright, permission culture and art: issues which become ever more pertinent as online communities become more prolific and harder to police.

I’m happy to announce that the second part of Permission Taken will be taking place from 2nd March - 30th May at the Bramall Music Building at the University of Birmingham

This exhibition displays work by Antonio Roberts created during his 2014/15 artist-residency at the University of Birmingham. Roberts focused on issues surrounding copyright, permission culture and art: issues which become ever more pertinent as online communities become more prolific and harder to police.

The Remix Party happened on 20th January to celebrate the closing of my exhibition, Permission Taken, at Birmingham Open Media.

Throughout the night remixes art artwork from the University of Birmingham were displayed in the main gallery space whilst Ryan Hughes took on DJ duties with soundscapes and the occasional R&B hit. It was really interesting to see how all the artists approached the archives and selected materials to work with.

Permission Taken launched at Birmingham Open Media on 23rd October and it couldn’t have been better!

You may have noticed my internet presence has been somewhat quiet over the last few months. This can all be attributed to the many hours it took to prepare for this, my first solo exhibition. Prior to this I had done many performances, contributed videos, gifs and still images to group shows, and curated shows featuring the work of other artists. Being given the large gallery space of BOM was therefore quite a challenge and a new experience.

In addition to everything else, since July I’ve been an artist in residence at the University of Birmingham. I’ve been quietly writing about the project over on its own dedicated blog, and on 5th December there will be a chance to meet me and Matt Westbrook, the other artist in residence, in meatspace and discuss our respective projects.

The University’s new artists in residence, Antonio Roberts and Matt Westbrook, will be holding an open studio to introduce their work and discuss potential collaboration opportunities. Join us for drinks and nibbles on Friday December 5th 12.00 – 14.00, 32 Pritchatts Road For more details of the artist’s work and areas of research see the AiR webpage.

I’m happy to announce that I have been accepted onto the University of Birmingham’s Artist in Residence programme for 2014-2015.

The University of Birmingham‘s Artist in Residence programme provides artists with a studio on campus and a unique chance to engage with the diverse range of cultural collections held here. The artists work alongside the University’s curators, conservators and researchers with the opportunity to forge new interdisciplinary relationships. They also work with the cultural engagement team, delivering a series of workshops and lectures to staff, students and the public, bringing an exciting active aspect to the University’s cultural offer.

Here’s a selection of photos taken by Pete Ashton for Dirty New Media.

Dirty New Media took place on Thursday 21st March at The Barber Institute of Fine Arts. It was one of the most adventurous exhibitions that I’ve curated!

Thanks go out to:

• The Barber Institute of Fine Arts, for taking a chance and including something wildly different to their usual programme
• Vivid Projects, for asking me to curate this exhibition
• University of Birmingham for including Dirty New Media as part of their Arts and Science Festival, and for including videos in their Illuminate outdoor projections
• Pete Ashton, Sam Underwood, Leon Trimble and Ben Neal for providing lots of support and equipment at the last minute
• Keith Dodds, for his awesome work on the programme and other graphic design
• All of the performers, lecture-deliverers and artists that got involved (more below)
• And last, but not least, thanks to you, the audience, for travelling from the far reaches of England to attend Dirty New Media! You helped to make it a success!

Here’s a list of all of the works/pieces/artists included in the programme, should you want to check out more:

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival.

Super Special Essay

Shawne Holloway + Steven Hammer - 1_approach.dnm: (inter)active viewership in dirty new media

The invisibility of various technologies, interfaces, and wares, via their often seductive and seamless interfaces, fosters a kind of cultural ocularcentrism[1] vis-a-vis capitalist consumerism. Dirty New Media (DNM) seeks to disengage our perception of screen-based activity from the two-dimensional, and critique material production of objects and systems that produce, curate, and guide reception of various texts.

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

AV Performances | 7-10pm

Minuek

Circuit Ben

Norah Lorway

Meta

Dirty New Media // REVOLUTION 02

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Screenings | 6-7pm

Modulate - O>L>S

Description: A short audio visual journey exploring abstract narrative, movement, shape, colour, non verbal expression and spatial awareness. Sounds sourced from “The Octophonic Loop System"8.1 sound installation by Bobby Bird /Modulate, commissioned by Francisco Lopez.

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Screenings | 6-7pm

Michael Lightborne - What Did The Duck Say To The Pig?

A stupid joke, told badly.

Bryan Peterson - [Dirty] inputs/processes.outputs

Appropriated Phil Morton video, twisted and built through analog video mixers

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Exhibition | 4-10pm

Jamie Boulton - C:\Users\5629a7\Pictures\IDDisplay.jpg

> Applying reality safeguards… > Discarding morality values… > Deactivating motivation protocol… > Accessing Internet Database… > Initialising… > Ready.

URRRGH - __KWEEN_CLARISSURRRGH, __YOUCHOOB_4_EVA, __ALADDINZ_CAT

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Lectures | 4-6pm

Jon Cates - WTF?! is D1RTY N3W M3DI∆?!

Dan O’Hara - An Irregular and Spasmodic History of Glitches and other Systemic Stutterings

Glitches interrupt the smooth realism of our mediated experience of the everyday world, from malfunctioning train announcement boards to distorted video streams and white noise in our phone calls. But is it only machines that glitch, or does ‘glitching’ exist in nature too?

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Workshop | 12-2pm

Optical Theremin workshop with Circuit Ben

An optical theremin is a motion-operated instrument, based on an LM386 op-amp chip, we’ll be building them from scratch, learning the basic principles behind audio manipulation using voltage, and making some unholy racket! No soldering experience necessary.

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Screenings | 6-7pm

Theodore Darst - Approach

Following a group shows’ theme of “home in the digital age”, Approach utilizes 3D modeling software to create a private digital sculpture garden textured, in part, with personal screenshots.

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Exhibition | 4-10pm

Kate Pemberton - Tracert

Tracert (pronounced trace route) is an examination of how traditional craft ideas translate into the modern multi-media networked world. A sampler has been cross-stitched by hand from a transposed graphic of a tracert DOS command.

Dirty New Media will be making its way to The Barber Institute of Fine Arts on 21st March as part of the University of Birmingham’s Arts and Science Festival. Over the week I’ll be providing an overview of the upcoming event.

Exhibition | 4-10pm

Dec Ackroyd - Cityscape #46

Cityscape #46 image is from a series of GIF based images that are made to resemble city skylines, the images are created using digitally broken image files

An engaging day of performances and interactive installations from digital artists, hacktivists and new media explorers from the West Midlands, Chicago and beyond. Artworks take the form of hacked and customised hardware, accessories, demos, lectures, data-mangling, projection and more!

This eclectic, expectation bending event is presented by Vivid Projects in association with artist/curator Antonio Roberts and The Barber institute of Fine Arts.

/-;-/-;-/– AV Performances –\-;-\-;-\ 7 – 10pm

Minuek Norah Lorway Circuit Ben

On Tuesday 19th March I’ll be curating a selection of films for the Illuminate outdoor projection event as part of the Arts and Science Festival at University of Birmingham.

Large scale outdoor projections will illuminate the night sky at this spectacular display of images, short films, and artists’ film and video.

Presented in partnership with Associated Architects, Arup, Couch Perry Wilkes and Sweett Group, visualizations of the new University library will be unveiled for the first time alongside content from some of the region’s leading film-led organisations.