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2011 was probably one of the most exciting years in terms of my artistic development. Overall, it’s seen a lot of my work go out into the wild, rather than just sitting on a server or on my computer.

January

January was pretty slow and saw me mostly carrying on with my studies at Birmingham City University.

February

Although it was a slow month I did finally meet Rob Myers at the Furtherfield show opening in London. I was also asked to join BiLE as their visuals guy. After initially being hesitant, due to my lack of experience in performing live, I accepted the offer.

March

What Revolution? appeared in Libre Graphics Magazine (you can still buy a copy).

I uploaded the What Glitch? scripts to the interwebs and showed off their capabilities in this video:

I still think I’m probably the only person to use these scripts. Someone please prove me wrong! Although the scripts are very rough, as one of my first attempts at writing someone functional I was happy with my achievement

BiLE also had their first performance at SOUNDkitchen:

Whilst it didn’t blow the socks off of everyone in the audience it represented how we were going to progress as a group

April

I became a regular VJ for SOUNDkitchen, and also joined Laternist, minuek and Chromatouch to form the Freecode collective. We played our first gig at the EXZYT space:

I then stayed up for nearly 24 hours to support Film Division in the Sci-Fi-London 48 hour film challenge:

The finished competition entry, Internalised, sadly didn’t win but did go on to be shown at Cannes in a Van later in the year.

I also had the pleasure of meeting Rob Canning of GOTO10 whilst they were in residence at Grand Union. Pure Dyne, which is made by them, was one of my first positive experiences with Linux so it was great to meet those who have inspired my work!

May

BiLE performed at We Are Birmingham (RIP) on May 1st, the day of the Royal Wedding. Videos from the performance are available here

I did slip in some footage from the wedding itself, but it did seem no one noticed. We then played our first gig outside Birmingham at the Electroacoustic Compostion Forum in Liverpool.

I made available for download my general purpose video mixer:

It lacks a lot of features found in many VJ applications but it worked for me for most of 2011. I think I’m still he only person to use it…

June

I traveled to Brussels for a short trip to meet OSP (Open Source Publishing) (more photos are here.

They’re one of the few design agencies that focus on producing work made entirely using open source applications. What more proof do you need that open source tools are more than capable of producing design that is indistinguishable from work made with proprietary tools.

I’ve been an Ubuntu user for a number of years and whilst I’ve faced many problems I’m now at a stage where I can produce work quite easily.

A day later BiLE performed in Wolverhampton

July

I’ve been helping to organise Birmingham Zine Festival since its inception in 2010 and in July we expanded to fill the We Are Birmingham shop.

I (still) don’t make many zines, but it was really great to see such an active DIY/zine scene in Birmingham

A day later I jetted off Venice with BiLE to perform at the Laptops Meet Musicians Festival. Whilst there I met rukano IRL and the band he’s part of, Benoît and the Mandelbrots.

(More photos from the event are here.)

Throughout my time in BiLE I’ve mostly been learning about the whole electroacoustic music scene. Being mostly a fan of heavy metal and the like, this is all new, and at times, just plain weird! Events like this, where people are able to talk freely about their motivations and approaches to this type of work, have really helped me to understand it better.

BiLE also performed at SOUNDkitchen’s SONICpicnic (more pics here).

August

Freecode performed at the hexagon theatre at the mac.

This was quite a special gig for me as I performed alongside Modulate and Scree (Catweasel and DJ Sir Real. Back in 2007 when I was looking for local digital arts groups/artists it was these that I came across that then went on to inspire my work.

Did I mention that I met Richard Stallman?

September

I finally completed my MA in Digital Arts in Performance. Whilst my final piece for the course was criticised for its shallow storyline it was a great learning experience of using digital technology in a performance:

Despite it being 90% finished earlier in the year, in September I finally finished Skin Cells.

Straight after that it was time to get started on GLI.TC/H. With only two months to go things were getting a bit hectic. A (successfully funded) Kickerstarter was launched to support GLI.TC/H in Amsterdam and Chicago, whilst Birmingham opted for support from other sources.

October

I curated a screening of some great glitch videos as part of Flip Festival in Wolverhampton. This acted as a preview to GLI.TC/H, which by this point, had eaten up most of my free time.

A video for local Jazz-Metal band, Meatfeast, went online. I provided some effects for it:

Meanwhile, Birmingham Zine Festival held a stall and small zine exhibition at Supersonic Festival in Birmingham.

November

November was all about GLI.TC/H!!! The festival kicked off in Chicago at the beginning of the month, then went to Amsterdam before finally setting down at VIVID in Birmingham.

GLI.TC/H, for many reasons, was definitely the highlight of my year. Although I had organised art and tech events for awhile (most notably fizzPOP), I had never done anything on this scale. I’m thankful to the GLI.TC/H bots for allowing me to curate GLI.TC/H Birmingham and to the various people and organisations for supporting all of it! srsly, thanks!

I really liked how GLI.TC/H brought together many like-minded artists, many of whom had never met before in real life and were more likely to know their username than real name! Here’s some of the GLI.TC/H superstars hanging out after some good fuuuud!

Enough waffling, just look at the photos and videos from the event

Also, this month I Am Sitting In A Room, a piece inspired by Alvin Lucier’s work of the same name, had an extra-special showing at a celebration of Alvin Lucier’s work in Connecticut in the US. I never would’ve thought that this video would’ve been seen by the guy who inspired it!

Elsewhere, What is your glitch? 1bitgifavibmpbmpcmykbmprgbjpgmpgpcxpixpngppmsgisvgtgawebp was shown at Leeds International Film Festival and I did a micro residency in Coventry.

December

Practically nothing happened, and for that I’m thankful! With most major things in my life over bty this point (my studies and GLI.TC/H) I used December as a period to reflect and think about where I could attempt to take my practice next.

2011 was definitely a year that took me by surprise. Here’s to 2012 being just as awesome!

On Sunday 27th November I did a one-day micro-residency at Fargo Hack Play Space in Coventry. I was asked to bring unfinished projects, completed projects or something completely new that I wanted to start on. I have a fair bit of Pure Data and Processing code and ideas that need(ed) a lot of attention but I had serious doubts of whether they could be completed in six hours.

To say I had absolutely no idea what I was going to achieve in one day would be quite an understatement.

In the end I took along my laptop, the unfinshed audio cable hack, an Arduino, and the Vtech Learning Alphabet Classroom Toy toy that I had previously bought for a fizzPOP Circuit Bending Hack Session:

My previous attempts to hack it back then were largely unsuccessful. I was able to cut out the audio completely and break the toy on several occasions, but what I was after was a way to control or glitch the audio and LCD screen.

Part of my problem was that there were very few components to play around with. Aside from the buttons themselves all I had was a circuit board that had very tiny components.

Thankfully, with the help of Dom and Ashley I was able to locate the resistors and attach a potentiometer. Results varied throughout the day, but I was able to get it producing something out of the ordinary!

But then it borked.

Regardless, it’s progress! I’ll be continuing work on it soon, and may even try hooking up the buttons to an Arduino or my computer to trigger other things.

Thanks to Dom and Ashley for inviting me down there for the day, and for the pizza :-)

Shortly after GLI.TC/H hit Birmingham I did a short interview with Jonathan Melhuish for the Redbrick, Birmingham University’s newspaper.

Jonathan Melhuish: So, what is “glitch art”?

Antonio: Glitch art is making art out of analogue or digital errors. It can bemade using computers using techniques like attempting to open animage in a text editor or with physical objects, like opening up electronic toys andpoking around at its circuitry until you achieve odd and unexpectedresults.

It sounds like you’re celebrating technical failure.

Indeed we are. We don’t discard mistakes, we actively seek them out!

Is glitching something that only geeks can truly appreciate?

When it comes to glitch art, all you need is curiosity. When you startto do it, you may find it’s lots of fun and will achieve vivid imagery that would be difficult, or nearly impossible, to achieve using conventional methods and programs such as Photoshop. If you lookat popular culture, you’ll find artists such as Dizzee Rascal, KanyeWest and Everything Everything using these techniques in their music videos.

Read the full article on their website.

GLI.TC/H Birmingham happened on 19th November at VIVID and I’ve only just had time to recover from it.

As the curator of GLI.TC/H Birmingham I’d like to give my own set of thanks:

• Arts Council England for supporting GLI.TC/H Birmingham.

• Birmingham City University, in particular two staff members:

  • Gregory Sporton, for supporting the event, even if he doesn’t quite get what it all is!
  • Lorna Hards, whose course, Methods and Models of Curatorial Practice, gave me the confidence to curate GLI.TC/H Birmingham

• VIVID, for accepting the proposal for GLI.TC/H Birmingham to be part of their “The Garage Presents…” programme and for providing an amazing space to hold this event in as well as technical and programming assistance

• The GLI.TC/H Bots (Rosa, Nick and Jon) for being great friends and for allowing me to curate GLI.TC/H Birmingham. Moar thanks to Jon Satrom and Nick Briz for traveling to all three GLI.TC/H events (Chicago, Amsterdam and Birmingham)

• Flip Festival, for hosting a great night of GLI.TC/H video previews. Photos/programme available here

• Leon (Chromatouch), Pete and James and Sarah, for being great assistants and filling in gaps that I overlooked.

• fizzPOP, for being a great hackerspace and providing assistance in the workshops

• All of the artists that gave workshops, delivered lectures, performed or had videos/bumpers screened at GLI.TC/H Birmingham.

• All of my friends that attended GLI.TC/H Birmingham or supported it in another way. I know that a lot my friends don’t quite understand glitch art, so it was great to see them at it!

• And last, but not least, thanks to you, the audience, for traveling from the far reaches of England (and in some cases the world) to attend GLI.TC/H Birmingham. I hope that the day gave you a better insight into the world of technological failure!

  I was personally pleasantly surprised by the turnout throughout the whole day, to the point that we ran out of seats! So, thanks for making it a great success :-)

Videos of all of the performances and lectures are available, thanks to Pete Ashton, on this YouTube playlist. Here’s the video of Jon Satrom’s prepared desktop:

Pete also took photos for the event and many more are available in the GLI.TC/H Flickr group. If you have any photos please add them to this group! Here’s one of my favourite photos, featuring Nicolas Maigret from Art of Failure:

I can’t personally comment on what is next in store for GLI.TC/H (GLI.TC/H 2012???), but I’m already planning future, much smaller, glitch art events to take place locally. I’m always up for collaborating on this, just get in touch.

Now time for sleep.

This Sunday (i.e. today) I’ll be doing a micro residency (i.e. one day) at Fargo Hack Play Space in Coventry, UK (i.e. not Birmingham)

This Sunday we will be hosting the Fargo Hack Play Space, an informal exhibition and sharing of new work from our residency at the Talking Birds curated Fargo Space.

We love watching people play with the Don’t Touch Screen at Warwick Arts Centre; that little moment of joy people feel as they realise they are in control of the piece, no matter the technology. We were keen to try and create something new that explored that same interaction between analogue and digital.

There’ll be a circuit bending session from 10am, but do contact @ludicrooms to see if there’s still places available.

I’ve no idea what I’ll be making yet, but I’m sure it’ll involve me breaking lots of stuff into tiny insignificant pieces.